Sometimes history repeats itself in some detail:

The expense of mounting ever more elaborate scenic productions drove the two competing theatre companies into a dangerous spiral of huge expenditure and correspondingly huge losses or profits. A fiasco such as Dryden’s Albion and Albanius would involve a company in serious debt, while blockbusters like Thomas Shadwell’s Psyche or Dryden’s King Arthur would put it comfortably in the black for a long time.

Restoration Spectacular, Wikipedia, last modified 17:31, 3 February 2006.

Continue reading →